This is my submission to #scorerelief2024. The animated short film, Wing It, was so much fun to work with! I deliberately wrote this music for the 30-piece orchestra with 2 percussion, which will be the lineup for the winning score's recording session, I did not include any additional instruments. It was a fun challenge! Score Relief 2024 is organised by The Cue Tube, in association with In Place Of War and Northern Film Orchestra. Note that I'm not the original composer on this film, this music is written only as a rescore for the competition.

This is my entry to Indie Film Music Contest of Winter 23-24, with the clip 'Love Is A Gift', a film by Phil Beastall. I'm not the original composer of the film, and this music is created for the competition as a rescore.

This is my submission to the scoring competition by Spitfire Audio featuring a clip from the Netflix series Bridgerton. It's a largerly orchestral score, featuring a few sound design elements here and there. The competition: https://www.spitfireaudio.com/bridgerton/ #mybridgertonscore NOTE: This clip is a submission for a competition. It is not commissioned, nor is it endorsed by Netflix, Shondaland Media or Spitfire Audio.

This is my rescore to Martin Heidenreich's video called Volcano, available on The Cue Tube. I decided to go with an ultra-contemporary style with this, using heavily distorted sounds and atmospheric vocals. The Cue Tube (https://thecuetube.com) is a free-to-use platform, formed in summer 2020, for film composers and filmmakers to connect, build portfolios, share knowledge and access free videos for rescoring practice.

This is my entry to The Lost Piano Scoring Competition by Westwood Instruments.

NOTE: This video and the music therein is a submission to a competition. It has not been commissioned or endorsed by either DC Entertainment or Spitfire Audio. This is my submission to the STARGIRL Scoring Competition by DC Entertainment and Spitfire Audio. I created a superhero-style orchestral score, featuring guitars, synths and several percussion as hybrid elements. My goal was to match the action and dramatic moments on the screen, as well as tap into the emotional truth behind the events. The competition: https://www.spitfireaudio.com//stargirl #MyStargirlScore

I did a rescore of Andrew Huang's TV show intro Spacetime. I approached it with ideas of both loneliness and nobleness of a person on a space mission. It's a hybrid of traditional orchestral elements with edgy synths and percussion. The Cue Tube (https://thecuetube.com) is a free-to-use platform, formed in summer 2020, for film composers and filmmakers to connect, build portfolios, share knowledge and access free videos for rescoring practice.

This is a rescore of Hunting My Nightmares, which is a horror trailer made by The Cue Tube for Halloween 2020. The Cue Tube (https://thecuetube.com) is a free-to-use platform, formed in summer 2020, for film composers and filmmakers to connect, build portfolios, share knowledge and access free videos for rescoring practice.

This is my original rescore to Ocean, a mini-documentary by The Cue Tube. It's an orchestral score with some hybrid elements. The Cue Tube (https://thecuetube.com) is a free-to-use platform, formed in summer 2020, for film composers and filmmakers to connect, build portfolios, share knowledge and access free videos for rescoring practice.